![]() She enters the story knowing their relationship is doomed to fail, and acknowledges the fact that she is “ thinking of ending things.” While the young woman is the primary narrator, all she talks about is Jake, his behaviors, previous relationships, and everything in between. The entirety of Iain Reid’s novel is told from the perspective of Jake’s girlfriend, who remains unnamed from beginning to end. It is one of the most accurate adaptations, but there are some major differences between Iain Reid’s original story and Kaufman’s film. This is not the case with Kaufman’s film. While full-length novels can expand for hundreds of pages, films have limitations to their length, which causes an array of scenes and themes to be left out in the final product. I’m Thinking Of Ending Things takes on the task of detailing a horrific and existential story that questions the reasoning behind every aspect of life. Related: I'm Thinking of Ending Things: Where You've Seen The Cast It shares a similar theme with the director’s famous film, Eternal Sunshine Of The Spotless Mind, in which both leads are faced with their own unique internal battles with love, family, and the self. While Kaufman sets up the perfect story of a couple on the brink of parting ways, it is actually a precursor to the journey through Jake’s psyche as it begins to collapse. Toni Collette and David Thewlis portray Suzie and Dean, who take on various ages throughout the first hour of the movie. His favorite games include Marvel's Spider-Man, The Last of Us, God of War, and Hades.Starring Jesse Plemons as Jake and Jessie Buckley as his girlfriend, the film follows the couple as they travel to his parents’ farm to introduce his new love interest to his mother and father. Outside of Screen Rant, Chris enjoys watching his favorite sports teams (Giants, Yankees, and Knicks) and playing video games. Chris' favorite directors include Steven Spielberg, Christopher Nolan, Martin Scorsese, and Quentin Tarantino (among several others). He now has a wide range of cinematic tastes, enjoying the latest Hollywood blockbusters, Oscar contenders, and everything in between. Chris has attended several events for Screen Rant, including San Diego Comic-Con and Star Wars Celebration.Ĭhris credits Toy Story and Star Wars with launching a lifelong fascination with movies that led him on the path to his career. He was hired by Screen Rant in 2013 to write box office prediction posts in conjunction with the Screen Rant Underground's Box Office Battle game, and his role at the site grew from there. He is a graduate of Wesley College's Bachelor of Media Arts and Master of Sport Leadership programs. How much mileage an individual viewer gets out of it will vary, though there's still enough here to hold one's interest.Ĭhris Agar is a senior movie/TV news editor for Screen Rant and one of Screen Rant's Rotten Tomatoes approved critics. It'll be interesting to see if I'm Thinking of Ending Things has any luck for Netflix on the awards circuit later this year, but even if it doesn't score the accolades Kaufman's other films have, it's still a fascinating watch with plenty to unpack. Streaming is the ideal platform for a movie like this (even if there wasn't an ongoing pandemic), giving it more of a chance to stand out than if it had released in theaters. In the end, I'm Thinking of Ending Things is hardly accessible entertainment, but it will likely find its niche audience on Netflix. Even those who are fond of Kaufman's earlier work may have difficulty truly latching on, which makes I'm Thinking of Ending Things a film that's easier to admire than love. This approach does work on occasion because the viewer is meant to be in the troubled mind of The Young Woman, but there are other times where the film comes across as too abstruse. Even by Kaufman's standards, it's an unconventional tale to tell, and the various pieces never really come together to form a fully comprehensible whole. ![]() That said, I'm Thinking of Ending Things isn't the easiest book to adapt, and the story's impact lessens as time goes on. Kaufman has never been one to shy away from complex material, and he does the same here, ambitiously tackling themes of time and human existence. Where the film falters a bit is in the narrative itself.
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